film

Nikon D300 & SB-800 Speedlight Flash Diffusion Test

On camera flash photography has always challenged me. I learned photography, in West Germany during the early ‘70s, using natural light only, black and white film and developed my own prints. My first experience, in the early ‘80s, with a flash gun was a reunion of flight school classmates and our families. We paraded the kids through the living room, onesies, twosies, you know the drill, and I took whole family photos too. The garish, over exposed pictures with that damn hard edged shadow (like the top center picture) was embarrassing when the color prints arrived. Who needs a flash? Not a REAL photographer anyway; so, back to natural light for more than 2 decades.

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Shooting tethered in the studio

Although I have had the equipment to do it I have only recently started to shoot tethered while working the the studio, I like it.

My equipment/software list:

  • Nikon D700
  • Lens as needed
  • Dell 13″ StudioXPS
  • 500 gb external HD
  • 15′ USB cable
  • Gitzo 1258 Tripod
  • ProLine GMS80A Conductor Sheet Music Stand
  • Nikon Camera Control Pro 2
    • * Just bought TetherPro
  • And of course the studio light gear

So here is the basic setup: Simple and useful.

 

IMG 3079EDITweb 300x200 Shooting tethered in the studio

Tethered setup overview

The above image is from a catalog shoot I did for Jane Burch, see “The Transformation” article.

 

Tethered shooting allows me to view the images in real time on a 13 inch calibrated monitor, allows me to zoom into the images to check focus and detail.

 

RKD 0750 300x194 Shooting tethered in the studio
13 inch image view

I rarely show the monitor to the model, unless I need to show them something specific – good or bad. I do, however, encourage the client, in this case the MUA, to review and comment as the photographs are taken to ensure they are getting what they want and need.

 

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Client reviewing images as

I don’t know if it’s the same with Canon equipment but Nikon software places the images onto the computer’s hard-drive not the CF card. I do not edit, much, on the laptop so I have the download directory on an external hard-drive for easy transfer to my desktop editing machine.

 

RKD 0647 pp 1024x662 Shooting tethered in the studio

A final image

While this setup isn’t exactly ‘high end’ it works well for my needs.

 

A specials thanks to Tom Thompson for the behind the scenes shots.

My take on the $35 iPhone 4 Telephoto Lens

I honestly do not remember where I read about the Photojojo iPhone Telephoto Lens but remember thinking it must be a joke.

iphone telephoto lens c5d4 600.0000001297642718 My take on the $35 iPhone 4 Telephoto Lens

Photojojo iPhone Telephoto Lens

Chuckled and went to read about it anyway. After reading their humorous write-up and looking closely at the images provided. I realized I had no use for it at all. But of course I bought one anyway.

“But of course I bought one anyway.”

The iPhone 4 kit was on back order and took nearly three weeks to arrive. If you order the iPhone 4 kit today (March 6, 2011) it won’t ship until March 21st.

Mine arrived last night. First thoughts:

  • Well packaged.
  • Comes complete with;
    • lens (front and rear caps)
    • stand
    • cleaning cloth
    • back case
    • small black cloth carrying bag
    • instruction manual
  • Surprisingly well build components. Not Nikon level craftsmanship but pretty well done.

My only real complaint is the back only case – I prefer a case with front and back coverage for my phone. A smaller disappointment is the minimum focus distance of  3 meters.

Today I took it out to play a bit. I mounted the iPhone onto the  supplied stand and braced it upon a garden fence in my front yard. (yeah – I know.)

Click on the following images to enlarge:

photo 1 300x224 My take on the $35 iPhone 4 Telephoto Lens

iPhone 4 only lens at widest setting

photo 2 300x224 My take on the $35 iPhone 4 Telephoto Lens

iPhone 4 only lens maximum zoom

photo 3 300x224 My take on the $35 iPhone 4 Telephoto Lens

iPhone 4 with Photojojo 8x telephoto lens installed

photo 41 300x224 My take on the $35 iPhone 4 Telephoto Lens

iPhone 4 with Photojojo 8x telephoto lens installed AND maximum digital zoom

Pro D/SLR quality it ain’t: but it is functional.  And would be very handy if you were a spy. Well, except for the 3 meter focal distance thing.

I will carry it and look for opportunities to use it.

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Things that go Bump during a shoot: A solution for strobists

I have tripped and bumped my way through a lot of shooting locations; the act of repositioning the speedlights on stands with modifiers, while not the biggest challenge of any photo session, was an annoyance I didn’t like. Between the umbrella, open or not, and the open legs of an 8ft light stand I have said ‘Excuse me’; Pardon me’ a hundred times.

Indoors; the knocking around furniture, people and doorways is a headache. Outdoors; moving through people, parked cars, shrubs, trees and rocks presents its own challenges. The act of closing the umbrellas and legs every time I want to reposition the lights is both time consuming and then reversing the process at the new position can a bit unprofessional looking. Sometimes while balancing my camera gear too. I’m not as graceful as I used to be.

I’ve been doing the strobist thing for a couple of years and am always looking for a better more efficient way to get the job done. I was shown a Kwik Stand about a year ago by a studio photographer and liked the idea, but soon found out the Kwik Stand Company had gone out of business. Over the past year two companies have come to market with their versions of the folding leg light stand: Denny EZ Stand and Cheetah Stand. I have tried both and chose the Cheetah Stand for several reasons:

There is no real comparison if you take the time to see the differences. The all metal construction of the Cheetah with its slim solid metal legs and rubber rib-footed feet beats out the thin walled tubular legs of the EZ Stand with its flat smooth plastic ones. The EZ Stand feet appear larger but only one edge actually contacts the floor and it slides easily on smooth shiny floors. Maybe it’s a feature and not a flaw; in any case I didn’t care for it.

The legs of both extend on contact with the ground but the EZ Stand does not compress back to its body as closely the Cheetah. Not a huge deal but depending on the space, think church pews, you’re navigating – it just might. The all metal locking clamps and thumb wings of the Cheetah appear to be better suited to hold up over time with field use.

My copy of the EZ Stand did not smoothly extend or compress, the bottom (largest) pole section was very stiff in fact. It’s supposed to be an air cushion stand, why I’m not sure for such a small stand, which may be the reason for the gummed up feel. Fully extended, the EZ Stand is about an inch taller. The tubes are not internally secured (more on this in a minute). The Cheetah on the other hand is quick and smooth without being a hazard to your equipment with common sense and normal equipment care.

In field use neither stand met all my needs. Because of the inherent design required for this type of stand, the center post must extend down to within an inch or so of the surface. This is only a problem, for me anyway, when shooting on very rough uneven terrain like a rocky ledge 3708200578 f962113392 m Things that go Bump during a shoot: A solution for strobistsnear Lake Grapevine.(Let me add that neither stand was designed nor intended, as far as I know, to be use exactly the way I describe here.) But this is how I found out that the EZ Stand’s main extension tubes are not internally secured.

During a two speedlight shoot, one Cheetah and one EZ stand, I was unable place the opened legs of either stand on the uneven rocky ground. So, in my get the job done mode, I placed (gently wedged/balanced) the stands in-between some rocks. Worked like a charm; got the pictures; time to move on. When I reached out to grab the EZ Stand by the middle tube, balanced upon another rock, to lift it out of the crevice I had half a light stand in my hand. I did not jerk or twist it; it just ‘plop’ came apart. Ten minutes later I moved on with two complete stands. Good news, the tube went back in as easily as it came out.

Now here is a completely mox nix point I noticed, the EZ Stand could be used as a wind chime with all the hollow metal racket it makes when you walk around with it.

So the Cheetah Stand works for me, I now have four of them and they go where I go. Quite, reliable and built to last.

Strobist ballhead and umbrella test

3493512371 076561ff9d m Strobist ballhead and umbrella test

In Joe McNally‘s CLS video it showed him using a ballhead to align the flashhead along the umbrella stem axis. Made sense that it would distribute the light more evenly; so I bought the rig. Here’s the test results – you decide.

As pointed out in the note above, I forgot the diffuser.

Single SB800 set to TTL into Wescott 42″ shoot through umbrella.

The ballhead is the Manfrotto Lite Tite Swivel+Umbrella Adapter 26
The coldshoe is the Stroboframe Shoe-type Flash Mount Cat. No 300-SHO

I consider this as a ‘nice to know’ experiment only. With the inherent spill associated with shoot through umbrellas and with the difusser on the speedlight the coverage appears to be good. One additional advantage I found with the ballhead set is the ability to quickly rotate the flash body to align the IR sensor to face the camera.

I’ll know better after I field test it.

3493654589 a843384855 m Strobist ballhead and umbrella test

3500660886 fd9585bbbc m Strobist ballhead and umbrella test

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